BDB Music Academy

Staufen im Breisgau, Germany
Detailansicht von Norden
Photo © Peter Ziegner
Blick auf den Haupteingang im Nordwesten der Musikakademie
Photo © Peter Ziegner
Blick von Südosten
Photo © Peter Ziegner
Blick von Südwesten
Photo © Peter Ziegner
Blick in den Orchestersaal im Erdgeschoss
Photo © Peter Ziegner
Detailanischt des Orchestersaals
Photo © Peter Ziegner
Detailansicht des Orchestersaals
Photo © Peter Ziegner
Detailansicht des Orchestersaals
Photo © Peter Ziegner
Durchbindendes Foyer im Erdgeschoss
Photo © Peter Ziegner
Blick von Südwesten
Photo © Peter Ziegner
Architects
bez + kock architekten
Location
Gewerbestraße 5, 79219 Staufen im Breisgau, Germany
Year
2024
Client
Bund Deutscher Blasmusikverbände e.V. Staufen im Breisgau
Team
Michael Gaisser, Iris Schulenberg, Burcu Adak-Ufacik, Jana Lang, Birgit Rapp, Jing Zhao
GU Tender
Hautau Winterhalter Architekten BDA, Freiburg im Breisgau
Structural engineering
wh-p GmbH Beratende Ingenieure, Stuttgart
HVA planning
Vertec GmbH, Ettenheim
Electrical planning
Planungsgruppe Burgert GmbH, Schallstadt
Building physics
Müller BBM, Planegg
Kitchen planning
HGK GmbH, Pleidelsheim
Fire protection
Nönninger Brandschutzsachverständfiger, Freiburg im Breisgau
Landscape design
Landschaftsarchitektur Österle, Engen

The Federation of German Brass Band Associations has built its music academy in an industrial estate on the outskirts of the town of Staufen im Breisgau. The new building responds to its faceless surroundings with a powerful architectural appearance: the square brick building is accessed via a connecting foyer. The first floor houses the large concert and rehearsal rooms, the dining room and the administration, while the smaller rehearsal rooms are arranged around the two-storey concert hall on the second floor. Two centrally located bar and lounge areas serve as a communicative meeting point for musical guests. The two upper floors accommodate 60 single and double rooms for visitors. The principle of stacking the functional areas is also expressed in the sculpturally designed façade of the building. While the very public first floor with its trapezoidal windows aims to create the impression of an inviting cultural building, the smaller rehearsal rooms on the second floor are concealed behind a surrounding, strictly timed row of windows. The two residential floors have perforated windows assigned to each room, providing guests with the necessary privacy.

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