Copper House

Moscow, Russie

Photo © Yuri Palmin

Situation

Dessin © Sergey Skuratov Architects

Site plan

Dessin © Sergey Skuratov Architects

Level 0

Dessin © Sergey Skuratov Architects

Level 5

Dessin © Sergey Skuratov Architects

Bâtiments de bureaux

Architectes: Sergey Skuratov Architects

Lieu: Ostozhenka str., Butikovsky lane, h 3, Moscow, Russie
Année: 2004
Client: Rose group
Object name: Copper House’ residential complex
Project organisation: ‘Sergey Skuratov Architects’ ltd
General contractor: ‘Starteks Stoun’ ltd
Authors: S. Skuratov (lead author), V. Ryshova, N. Ishutina, Y. Kovaleva, A. Medvedev, P. Karpovsky, P. Shalimov, N. Demidov, V. Danilov,
Project stages: architectural concept, architectural project, design drawings, architectural supervision
Design: 2002 – 2003
Construction: 2003 – 2004
Total object area: 8 042 m²
aboveground: 6 100 m²
underground: 19 42 m²
Construction volume: 30 337 m³
Site area: 0,42 hectares
Construction area: 1 075 m²
Number of floors: 6
Number of car places in the underground parking: 42
Awards: ‘Moscow best architectural masterpiece awards 2002-2003’ in ‘Project nomination’. ‘Golden ratio’ 2003 award in ‘Project nominati

The peculiarity of the place is in the necessity to create a link between the adjacent large buildings, embankment and small public garden at the intersection of two narrow streets.

Thus the broken line of new dwelling complex composed of three different sized buildings follows the green channel which starts at Zachatjevsky monastery and ends on the river bank.

Any "standard" house would`ve become a dam across this channel, so the park-like character was given to the new composition quite intentionally.

The system of three houses unified with continuous ground floor through passage makes its interior an inseparable part of the adjacent landscape.

The effect of transparency was obtained by using large cantilevers for each volume - the mass of the house is lifted off the earth, thus it is not blocking the view and the landscape has the opportunity to pour into the inner space.

We think that this method gives Moscow architecture a new way of understanding, rendering to it plasticity and sculptural forms.

Façade materials were chosen correspondingly: patinated copper sheets were introduced for the first time, and together with natural greenery the whole complex looks like integral body inside the city block.

Side facades are covered with tilted sheets of green glass reflecting either skies or earth thus dematerializing the body of the house finished with natural wooden.

Only the white Jurassic stone on some parts of the facades does the job of tying up the new dwelling complex to the existing houses around on the streets nearby.